
‘Minnow from Earth’ series by Michael Lucero
artnet
Revering the Earth
Most ancient cultures practised rituals that displayed a reverence for the earth. This usually took the form of celebrations that ritualistically encouraged healthy crops for the coming year and the earth being praised as a good source of sustenance. The Green Corn Ceremony (Busk) is an annual ceremony practised among various Native American peoples associated with the beginning of the yearly corn harvest. The ceremony was marked with dancing, feasting and fasting and religious observations. Likewise, the Pagans and Druids liked to worship mountains and sacred trees along with various Earth Goddess figures.
In the East, the Earth Element was revered for its ability to balance all elements and heal, exemplified by the Chinese emperor exclusively wearing yellow, (symbolic of Earth). The Japanese favoured anagama ceramics for their tea ceremony, due to the fact they were fired in kilns built into the earth and experienced longer firings which strengthened the Earth element. They believed this extended exposure enhanced the quality of the Earth as this element was nourished by the Fire element
In Hebrew, the name Adam suggested the colour red, or “red earth” and is related to the Hebrew word “adama” 0r earth. It was believed that the first man came from earth, taken from the red soil. According to the Tanakh, Bible, Quran, the Hadith and other writings, Adam was formed from clay, and then life was breathed into him.
Shape and appearance also influence an earthly perception. Vessels of a symmetrical form with balance give the impression of being more grounded, as do earthy palettes and shapes that are bottom heavy with a low centre of gravity. Squat shaped pottery and objects tapering to a large base also convey an earthly appearance of being grounded. Solid, heavy pieces made from dense materials also have this effect, as do rougher textures (more yang). Yang chi moves in a downward direction towards the earth.. Horizontal lines also allude to being grounded and support earthiness.
The imagery presented here is a rumination of the terrestrial diversity of earth and its related creative products.

‘Mud hut with a view’ — Traditional tukul house, Ethiopia

Raku sculpture – ‘Flow of Time and Space’ —Anita Feng

Mayan Aztec maize Goddess plaque/mask
Maize/corn has an earthy fragrance and was honoured due to this connection to the Earth and was regarded for its healing powers.

‘Three Peaks’ – Dolomites
Italian Alps

Earthenware Platter – Sandra Blain

Pottery vase — Fired Earth Ceramics- Southern Africa

Two abstract ceramic vessels — Carol Zee
Earth Meets Fire Show

‘Earth’ sculpture by Sylvia Simon
bronze, height 48cm

Ida Sahmie mother earth rainbow tile
King Gallerie

Gaia Earth Goddess with Europa relief
GAEA (Γαία) was the Protogenos (primeval divinity) of earth, one of the primal elements who first emerged at the dawn of creation, along with air, sea and sky.

Large Peter Rushforth drip glaze Blossom Jar

Rare vintage Italian Bitossi pottery vase, designed by Aldo Londi in the 1950s.

Earthquake cracks – Golden Gate Park, 1906

Shozo Michikawa

Black granite Song Version 5 — John Isherwood, UK
height 60cm

The name Kuan Yin translates to ‘Earth Feminine’
Photo by Kowit Sitthi

Le Corbusier- ‘Water, sky, earth’
1954

Mid Century Modern TOYO black glazed ceramic ikebana vase

Large glazed ceramic plaque with nude — Waylande Gregory
USA

Eric Astoul vase – La Borne, France

Diala – Digital interpretive aerial landscape art, NT, AUS

Guido Gambone Glazed Earthenware Jug, Italy circa 1960
Harter Galerie, Nice, France

Gilbert Garcin – ‘Life is a theater’

Acu-terrestial ceramic Totems – hillside installation – BYUH Sculpture

Bitossi Alondi vase with earthy tones, Italy

Jean Derval — ‘Warrior Sculpture Earth Box’

‘Earth Festival’ — Festino della Terra (Alaraagbo XIII), Jelili Atiku Street performance
Palermo, Italy

Rosanjin Kitaoji anagama bizen ware plate

And forget not that the earth delights to feel your bare feet and the winds long to play with your hair. -Khalil Gibran
Waddesdon Manor Gardens, UK

‘World Mandala’ by Neil Tetkowski has 188 different clay samples collected from each country represented by the United Nations.

Vintage Paul Morris Art Pottery Salt Glazed Earth Tone Stoneware Charger

Baden fountain, Austria

Vicki Grant — ‘Windows to Earth Series’

Fish shaped earthenware jug — Vallauris

Sculpture of Hina, the Tahitian Goddess of the Moon, and Te Fatou, the God of the Earth.

‘The Messenger’ – from Andrew Rogers ‘Rhythm of Life’ land art project
China 2006

Tatsuzo Shimaoka

Stan Bitters — ‘Salt of the Earth’ ceramic wall plaque
60’s

Inca Storage Jar (Aryballus)

‘Talking Earth’ by Steve Smith

Carl Peverall stone sculpture

‘Of the Earth’ by Lysa Gruzauskas

‘Ochre Earth Totem’ Sculpture by Jacques Barbier, 1990
Artocarpus – Galerie Riviera – Saint Ouen

Nang Talinee, Lao Earth Goddess

Vintage Art Pottery Royal Haeger Earth Wrap Jug

Earth Vessel 1—Pit Fired Clay—Tundra of Chugiak, Vicki Gubter

Jessie Mooy Vase – ‘Eva in the forest’ – earthenware, 2013
Villebois Lavalette gallery

‘The earth and the moon’ — Jorge Oteiza, 1955

Jemsen Pottery terra siglillata (sealed-earth) vessel

Lilian Wessels – sculpture bust, NL

“Lost Paradise” — Eve sitting, holding an apple — Edouard Cazaux

Large, open-mouthed, flattened spheroidal vase stained a parched earth colour and dipped and trailed in shades of blue, white, red and black – Mark Reid
1985 Bemboka

Grayson Perry – ‘Bullfighter’

The dove of Minerve — Jean Luc Séverac
1962

‘Danu’ by Maxine Miller
Danu is the Irish earth Goddess, mother of the Tuatha Dé Danann

Dianne Coulter ‘Earth Force’ series 3 — Seventh Palmer sculpture biennial
South Australia

Christine McKay — ‘Sisters of the Earth’

Susan Musi — ‘Earth forms’

Claude Cavin – seated woman raku sculpture

‘Cheeky Peas’ –Anthony Turner
Asthall Manor

Christine Remy — Gallerie Ecusson

Annie Peaker — Earth & Fire 2014 Exhibiton

Anna and Krzysztof Brzuzan ceramic bust

Joan Miro and Jose Llorens Artigas
Nasher ‘Return To Earth’ exhibition

‘Mother of Earth’ – Nicholas Roerich
1937

Temple Garuda sculpture, Candi Dukuh. Indonesia

Joan Miro sculpture – Return to Earth exhibition

‘Hall of the Earth’ – The Temple of Damanhur
Northern Italy

Ken Mihara Multi-fired stoneware vessel with cinched waist, horizontal score at center and surface colorations
2012 Unglazed 14 inches height
Joan Mirviss Gallery

Monumental “Desert Breath” installation by Alexandra Stratou, Stella Constandines & Danae Stratou
Sahara Desert

Charles Daudelin, ‘La Cavalière’, 1963
Quebec National Museum of Fine Arts in Quebec City





3 Comments
Always a great mixture of art that inspires and is often transcendent —also seems to be
speaking directly to contemporary life/art issues.
Makes me happy when it arrives in my email—and also gets my juices flowing to make
art……thanks!
Wunderbar
Very nice very